   |
 |
Two filmmakers infiltrate an underground bicycle club.
Directors Jacob Sepitmus and Anthony Howard create a gritty, conceptually dichotomous and visually stylistic film with B.I.K.E. The film is a depiction of the Brooklyn chapter of the Black Label Bike Club (BLBC), a fringe network of tall bike jousters that combine and justify their medieval inspired competitions with environmentalist and anti-consumerist rhetoric and politically radical ideals.
Taking place in the context of the 2004 Republican National Convention, Fountainhead Films’ B.I.K.E. is a riveting look into the ways in which identity is important for a collective of fiercely independent people.
